Charles Lyell’s Principles of Geology is widely regarded as one of the great works of 19th century science, and one of the most influential works in the entire history of the earth sciences. Yet the standard critical interpretation of the Principles makes such high regard and influence look puzzling at best. We are told, for instance, that Lyell’s argument rests on a contentious a priori methodological distinction between scientific and non-scientific explanations, the former featuring observed causes at their present intensities, (...) the latter featuring anything else. 2 We are also told that Lyell simply assumes a priori that. (shrink)

Recently, some Newton scholars have argued that Newton is an empiricist about metaphysics—that ideally, he wants to let advances in physical theory resolve either some or all metaphysical issues. But while proponents of this interpretation are using ‘metaphysics’ in a very broad sense, to include the ‘principles that enable our knowledge of natural phenomena’, attention has thus far been focused on Newton’s approach to ontological, not epistemological or methodological, issues. In this essay, I therefore consider whether Newton wants to let (...) physical theory bear on the very ‘principles that enable our knowledge’. By examining two kinds of argument in the Principia, I contend that Newton can be considered a methodological empiricist in a substantial respect. I also argue, however, that he cannot be a ‘radical empiricist’—that he does not and cannot convert all methodological issues into empirical issues.Keywords: Newton; Scientific method; Regulæ Philosophandi; Induction; Empiricism. (shrink)

Dr. George Victor Studies Comprehensively Sankaracarya S Teachings On Vedanta His Views On Scripture, Perception And Inference As Pramanas Or Standards Of Knowledges; His Explanations Of The Relation Between Brahman And Atman, Brahman And Äsvara, Maya And The World; And His Concepts Of Jnana Marga, Karma Marga And Moksa.

Although it might be argued that the social drama is a story in [Hayden] White's sense, in that it has discernible inaugural, transitional, and terminal motifs, that is, a beginning, a middle, and an end, my observations convince me that it is, indeed, a spontaneous unit of social process and a fact of everyone's experience in every human society. My hypothesis, based on repeated observations of such processual units in a range of sociocultural systems and in my reading in ethnography (...) and history, is that social dramas, "dramas of living," as Kenneth Burke calls them, can be aptly studied as having four phases. These I label breach, crisis, redress, and either reintegration or recognition of schism. Social dramas occur within groups of persons who share values and interests and who have a real or alleged common history. The main actors are persons for whom the group has a high value priority. Most of us have what I call our "star" group or groups to which we owe our deepest loyalty and whose fate is for us of the greatest personal concern. It is the one with which a person identifies most deeply and in which he finds fulfillment of his major social and personal desires. We are all members of many groups, formal or informal, from the family to the nation or some international religion or political institution. Each person makes his/her own subjective evaluation of the group's respective worth: some are "dear" to one, others it is one's "duty to defend," and so on. Some tragic situations arise from conflicts of loyalty to different star groups. Victor Turner is professor of anthropology and a member of the Center for Advanced Studies at the University of Virginia. His many publications include Schism and Continuity in an African Society, The Forest of Symbols, The Ritual Process, and, with Edith Turner, Image and Pilgrimage in Christian Culture. (shrink)

Everyone, even when asserting unchallengeable authority from God or Science, thinks in language, in words and phrases, in expressions of moral, social and political impact, fighting words and words with and over which we fight. However, debates among the educated can be irrelevant elsewhere, ineffective against the highly motivated whose dogma instructs and guides them, their voting and their arming. The degeneration of “democracy” to “tyranny” such as Plato’s Republic postulated threatens in some lands “of the free,” while in others (...) it seems inexorably in progress. Today “democracy,” republic,” “liberty/freedom,” “justice,” “law and order” are adduced by their actual enemies to complement “nationalism,” “patriotism,” and frightening “empire.” Extremists on both sides decry “Tyranny!” each in fact seeking authoritarian power. All of which have instructive ancient precedents: in the History of the Peloponnesian War Thucydides offers horrific accounts of ancient nation-states “long ago and far away,” more or less democratic, that abandoned common sense, moral sense, and with them regard for value words and truth itself. In the early 2020s CE many persons and governments have done little better during the still lingering pandemic. A second horror is prompted by Thucydides’ report of civil war on Corcyra, telling how faction spawned riots, coups d’état, and outright civil war. The twenty-first-century media are uniquely potent, yet mechanics of seduction are timeless. Likewise techniques for winning true believers and votes, as illustrated by passages in Mein Kampf on the language of propaganda, its production and reception. Our hope is therefore Education for a New Era to help students to discover pitfalls of media(ted) “information,” to achieve independent critical thinking at levels of basic language use and foundations of argument. Besides recognizing mis- and disinformation as harmful, they must learn themselves to judge thoughtless use, cynical abuse, or, worse yet, brazen disdain of vocabulary indicating moral/ethical value. Scientists have key roles in this drama; humanists larger ones yet. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Books ReceivedAndrianou, Dimitra. The Furniture and Furnishings of Ancient Greek Houses and Tombs. Cambridge: Cambridge University Press, 2009. xvi + 213 pp. 24 black-and-white figs. Cloth, $80.Andrisano, Angela Maria, and Paolo Fabbri, eds. La favola di Orfeo: Letteratura, immagine, performance. Ferrara: UnifePress, 2009. 255 pp. 41 black-and-white figs. Paper, €15.Bartsch, Shadi, and David Wray, eds. Seneca and the Self. Cambridge: Cambridge University Press, 2009. ix + 304 pp. 1 (...) black-and-white ill. Cloth, $99.Bers, Victor. Genos Dikanikon: Amateur and Professional Speech in the Courtrooms of Classical Athens. Hellenic Studies 33. Washington, D.C.: Center for Hellenic Studies, 2009. Dist. by Harvard University Press. ix + 159 pp. Paper, $15.95.Bowie, Ewen, and Jaś Elsner, eds. Philostratus. Greek Culture in the Roman World. Cambridge: Cambridge University Press, 2009. xii + 401 pp. 14 black-and-white ills. Cloth, $135.Bowlby, Rachel. Freudian Mythologies: Greek Tragedy and Modern Identities. Oxford: Oxford University Press, 2009. viii + 251 pp. Paper, $49.95.Calame, Claude. Poetic and Performative Memory in Ancient Greece: Heroic Reference and Ritual Gestures in Time and Space. Hellenic Studies 18. Washington, D.C.: Center for Hellenic Studies, 2009. Dist. by Harvard University Press. xii + 267 pp. 9 black-and-white figs. Paper, $19.95Collins, Paul. Assyrian Palace Sculptures. With photographs by Lisa Baylis and Sandra Marshall. Austin: University of Texas Press, 2009. 144 pp. Numerous color ills. Cloth, $45.Coltman, Viccy. Classical Sculpture and the Culture of Collecting in Britain Since 1870. Classical Presences. Oxford: Oxford University Press, 2009. xiv + 315 pp. 85 black-and-white figs., 32 color plates. Cloth, $99.Comoth, Katharina. Gott selbst und die Idee. Beiträge zur Philosophie. Heidelberg: Universitätsverlag Winter, 2009. 86 pp. 2 black-and-white ills. Paper, €10.Connelly, Joan Breton. Portrait of a Priestess: Women and Ritual in Ancient Greece. Princeton, N.J.: Princeton University Press, 2007. xv + 421 pp. Numerous black-and-white figs., 27 color plates, 3 maps. Paper, $35. [End Page 345]Eezzuduemhoi, James. I. A. A Fundamental Greek Course. Ed. Glenn Storey. Lanham, Md.: University Press of America, 2009. xxxv + 547 pp. Paper, $65.Erskine, Andrew, ed. A Companion to Ancient History. Blackwell Companions to the Ancient World. Malden, Mass.: Wiley-Blackwell, 2009. xxxvii + 693 pp. 27 black-and-white figs., 5 maps. Cloth, $199.95.Flower, Harriet I. Roman Republics. Princeton, N.J.: Princeton University Press, 2010. xv + 204 pp. Cloth, $29.95.Föllinger, Sabine. Aischylos: Meister der griechischen Tragödie. Munich: C. H. Beck, 2009. 224 pp. 5 black-and-white ills. Cloth, €24.90.Goldhill, Simon, and Edith Hall, eds. Sophocles and the Greek Tragic Tradition. Cambridge: Cambridge University Press, 2009. xvi + 336 pp. Cloth, $99.Grethlein, Jonas, and Antonios Rengakos, eds. Narratology and Interpretation. Trends in Classics 4. Berlin: Walter de Gruyter, 2009. vii + 630 pp. Cloth, €93.41.Haziza, Typhaine. Le Kaléidoscope hérodotéen: Images, imaginaire et représentations de l'Égypte à travers le livre II d'Hérodote. Études anciennes 142. Paris: Les Belles Lettres, 2009. 393 pp. 7 black-and-white figs. Paper, €45.Jouanna, Jacques, and Franco Montanari, eds. Eschyle: À l'aube du théâtre occidental. Entretiens Hardt 55. Geneva: Fondation Hardt, 2009. Dist. by Vandoeuvres. xi + 510 pp. Cloth: SFr 85.Johnson, Mark J. The Roman Imperial Mausoleum in Late Antiquity. Cambridge: Cambridge University Press, 2009. xviii + 296 pp. Numerous black-and-white figs., 16 color plates. Cloth, $95.Kronenberg, Leah. Allegories of Farming from Greece and Rome: Philosophical Satire in Xenophon, Varro, and Virgil. Cambridge: Cambridge University Press, 2009. xi + 223 pp. Cloth, $99.Loukopoulou, Louisa D., and Selene Psoma, eds. Thrakika Zetemata. Vol. 1. In collaboration with Athéna Iakovidou. Meletemata 58. Athens: Research Centre for Greek and Roman Antiquity of the National Hellenic Research Foundation, 2008. Dist. by Boccard. 175 pp. Numerous black-and-white figs. Paper, price not stated.Lowrie, Michèle, ed. Horace: Odes and Epodes. Oxford Readings in Classical Studies. Oxford: Oxford University Press, 2009. viii + 472 pp. Cloth, $199; paper, $75.Martin, Gunther. Divine Talk: Religious Argumentation in Demosthenes. Oxford Classical Mongraphs. Oxford: Oxford University Press, 2009. ix + 345 pp. Cloth, $125. [End Page 346]Mendoni, Lina G., and Sophia B... (shrink)

O presente texto é um esforço de reunir, em torno do conceito de necropolítica, questões que atravessam a obra de Achille Mbembe e estão ausentes ou são pouco trabalhadas no texto “Necropolítica”. O foco será especialmente em distinguir o poder de matar do necropoder, mostrando como este produz uma espacialidade e um espaço onde ele pode circular livremente, destruindo e constituindo realidades e mundos de morte, articulando os elementos que compõem a necropolítica como formação de terror inaugurada na guerra colonial: (...) i) o exercício do poder soberano como poder de matar e transgredir qualquer normatividade para além de si; ii) a normalização do estado de exceção pelo enquadramento de partes do corpo social como inimigas para além das fronteiras da civilização; iii) a militarização do cotidiano e submissão de zonas sitiadas a uma lógica de guerra sem lei. Essa articulação será analisada em termos de sua instrumentalidade e de seu poder de reencenação infinita em variados contextos após o fim da colônia, levando em consideração o papel fundamental da raça na mobilização desses recursos de guerra e morte. Por fim, a ideia é trazer a necropolítica para o centro do dilema ético maior da obra de Mbembe: a demanda pela derrubada violenta da realidade pós-colonial e o risco da circulação infinita da morte na forma do fratricídio. (shrink)

Jean-Jacques Rousseau’s passion for nature is well known. Less known is the fact that Rousseau devoted himself to the study of botany in the last years of his life. This article investigates how the themes of denaturation and monstrosity - classical themes of Rousseau’s thought - appear in his reflections on plants and the vegetal kingdom. After a brief incursion into the second Discourse and Émile, we will focus on the analysis of the so-called Elementary Letters on Botany, sent to (...) Madeleine-Catherine Delessert, and the letters sent to the Duchess of Portland. In the first set of letters we find Rousseau’s views on double flowers and grafting. In the second set of letters, in turn, we find Rousseau’s views on gardens and the cultivation of exotic plants. Since Rousseau’s reflections on denaturation are entirely due to his reading of Buffon, the article also addresses the contributions of this author. We conclude with some reflections on the current state of our teratological tendency, well identified by the authors we discussed throughout the text. (shrink)

Summary Contrary to common belief, Lavoisier's greatest phlogistic rival was not Joseph Priestley but Richard Kirwan, a fact that was firmly recognized by both the Lavoisians as well as Priestley himself. During the 1780s, which saw the unprecedented rise of the chemistry of air(s), Kirwan's ‘ingenious modifications…into the theory of phlogiston’, in Mme. Lavoisier's words, became the most dominant alternative to the revisionist pneumatic interpretations of the French. A genealogical contextualization of Kirwan's phlogistic contributions, the circumstances of their emergence and (...) the nature of their evolution and impact, reveals the intricate process of transformation that pneumatic phlogistic thought and practice have undergone during the final years of phlogiston's existence. Originally introduced as an adverse reaction to Scheele's phlogistic reasoning, Kirwan's work evolved as a sophisticated integration between notions of aerial permutations and Adair Crawford's innovative formulation of the phlogistic role of heat, with its origins in the Scottish pneumatic tradition of Black and Irvine. Examining Kirwan's views against the background of metaphysical conflicts over the constitution of pneumatic entities and the role of phlogiston in pneumatic processes traces their origins and advances to a complex interplay between innovation and renovation, proclamation and reclamation, thus depicting the dynamics of (dis-)continuity in the broader phlogistic sphere from which Kirwan's ‘modifications’ have stemmed and which they came to forcefully represent. (shrink)

ABSTRACT In 1758 in London, Swedish natural philosopher and mystic theologian Emanuel Swedenborg published De Telluribus in Mundo nostro Solari, a treatise on the plurality of worlds and life on other planets. During the seventeenth and eighteenth centuries, these topics formed a heterogenous literary genre which encompassed theology, astronomy, philosophy and satire. In De Telluribus, Swedenborg made detailed claims of communication with extraterrestrial spirits in the afterlife, through which he sought to spread his theology to new audiences. The paper will (...) explore the role of De Telluribus in Swedenborg's career, explain its content and analyse its polarized reception. It will show that De Telluribus combined for the first time the literary codes of two popular genres during the period, namely those concerning the plurality of worlds and the dialogues of the dead. By doing so, the paper revises current scholarly understanding of Swedenborg by showcasing him as a versatile yet ill-fated recombiner of literary genres. More broadly, the paper will shed light upon previously unnoticed eighteenth-century literary interactions along with a wider overview on the reception of themes such as the plurality of worlds, mysticism and satire in Scandinavia and Germany. (shrink)

This article explores the fate in Wittgenstein's mature work, of the issue of the unsayable, heart of the Tractatus project. According to the traditional interpretation of his work, he left behind that concern as a product of his early mistakes, later refuted in the Investigations. This article attempts to show that, in a certain sense, it is obvious that the problem of ineffability is still behind all his efforts. That it is constitutive not only of Wittgenstein's conception of language, (...) but is also the point of what he calls the vision of aspects, on which his latest writings focus. (shrink)

In a recent book devoted to the axiology of theism, Kirk Lougheed has argued that the ‘complete understanding’ argument should be numbered among the arguments for anti-theism. According to this argument, God’s existence is detrimental to us because, if a supernatural and never completely understandable God exists, then human beings are fated to never achieve complete understanding. In this article, I argue that the complete understanding argument for anti-theism fails for three reasons. First, complete understanding is simply impossible to achieve. (...) Second, even if achieving complete understanding were possible, it would not be beneficial. Third, the only type of complete understanding that is possible to achieve and is beneficial to human beings is the understanding of that which is of primary importance to us, and not the understanding of everything, as Lougheed seems to assume. God can grant us complete understanding of that which is of primary importance to us. As a consequence, God’s existence ends up being beneficial and not detrimental to us. (shrink)

The main thesis of this dissertation is set out in its very title, and to prove it will be necessary to eliminate the usual negative or melodramatic meaning of the two concepts that appear there and take them rather as the two extremes of the dialectical process of redefining the sociopersonal consciousness. In accordance with this, any catastrophe implies the violent breakup of the normal conditions of existence due to a natural or human factor whose direct consequences each one must (...) understand and overcome on the triple ontological, social, and psychological determinations of the self. For its part, tragedy stands for the phase of critical and reflective integration that follows the catastrophe, which goes a lot beyond the sheer negativity of sorrow and even death, since even if the person or the people carried away by the catastrophe die, others will be able to make the most of that and the sociopersonal consciousness will be rearticulated. Of course, this implies that the self at issue is not only the individual one, so that other members of the lifeworld must be considered for the phenomenon to reveal a new or critical sense of existence beyond any previous approach to it. Thus, although there is an undeniably negativity throughout, it aims at a deeper level of comprehension of existence, which finally implicates that catastrophe is contextualized in a concrete cultural framework and not only as a sudden unsettlement and that tragedy is accordingly conceived as a philosophical tool more than as a literary genre that deals with the cruelty of fate. To get its aims, the dissertation will be divided into three sections of variable length: in the first one it will be analysed the experience and sense of catastrophe; in the second one, that of tragedy; in the third one, it will briefly be shown why understanding the nexus of both phenomena is axial for the current intellectual dynamics. (shrink)

Current climate change has raised concerns over the fate of the stenothermal Antarctic marine fauna (animals that evolved to live in narrow ranges of cold temperatures). The present paper focuses on Notothenioidei, a taxonomic group that dominates Antarctic fish. Notothenioids evolved in the Southern Ocean over the last 20 million years, providing an example of a marine species flock with unique adaptations to the cold at morphological, physiological and biochemical levels. Their phenotypic modifications are often accompanied by ‘irreversible’ genomic (...) losses or gene amplifications. On a micro‐evolutionary scale, relatively ‘shallow’ genetic variation is observed, on account of past fluctuations in population size, and a significant genetic structure is evident, suggesting low population connectivity. These features suggest that Antarctic fish might have relatively little potential to adapt to global warming, at least at a genetic level. The extent of their phenotypic plasticity, which is evident to some degree, awaits further research. (shrink)

It is not just rhetoric to ask why we should still be reading the Young Hegelians today. In spite of their commitment to action, their influence on the politics of the times was marginal at best; and even as philosophers, the movement of thought which they represented was all but dead by 1848. Now that we read them at a distance of over a century, it is clear that for once at least the fate meted out by circumstances was (...) well deserved. The writings of the Young Hegelians appear painfully thin in insight and force of argument. This global judgment must of course be qualified. Protestant theology has not been the same since David Strauss, and Feuerbach’s conception of man stands as the first statement of modern scientific humanism. Still, the ideal of humanity that inspired either of them has none of the historical richness of Hegel’s “spirit”; in the case of Feuerbach there is also none of the scholarship that redeems at least some of Strauss’ work. The value of both men’s writings lay mostly in their iconoclastic nature. They cleared the air, though at the cost of grave oversimplifications, of the illusion that after Hegel things could quite ever be the same again - as if the speculative comprehension of the Christian faith that Hegel claimed to have achieved could have left that faith undisturbed. But now that the profane has become the commonplace, there is little to recommend them in our eyes; and now that we have also had plenty of opportunity to notice how quickly the spirit of revolution degenerates into faction and anarchy, there is even less to recommend the rest of the Young Hegelians. The later Marx stands out intellectually in comparison to them precisely because he succeeded in breaking free from their ideological hold. I sometimes wonder whether his figure has really been enhanced by the post-war attempt at reinterpreting Capital in the light of his supposed earlier “humanism.” Sidney Hook’s statement that the late Marx was a scientist, and that his theory is to be proven either right or wrong on strictly historical and empirical evidence, might be a bit far-fetched perhaps; it still is in my mind the best compliment that one can pay to Marx. (shrink)

Quando la biblioteca diventa un confessionale. Nel 1585, Giordano Bruno ritorna a Parigi dopo il soggiorno londinese, e comincia a frequentare l’abbazia di Saint Victor, famosa per la sua ” libraria “, immortalata da Rabelais. Il bibliotecario, Guillaume Cotin, trasforma lo “scriptorium” in un confessionale, dove il filosofo dà libero sfogo ai suoi ricordi e al suo impetuoso carattere. -/- When the library becomes a confessional. In 1585, Giordano Bruno, returns to Paris after his stay in London, and begins (...) to attend the abbey of Saint Victor, famous for his library, immortalized by Rabelais. The librarian, Guillaume Cotin, transforms the scriptorium into a confessional, where the philosopher gives free rein to his memories and his impetuous character. (shrink)

The new book of Francesca Pentassuglio on Aeschines has come to fill an essential vacuum. The studies on Socratic philosophies have an interesting history that combines moments of great recognition with others of almost total disrepair. They were prominent in Antiquity and constituted a space where many lines were connected and enhanced the quantity and quality of the philosophical dialogue. Nothing at that time could make us suspect their subsequent fate and the development of an enormous di...

ABSTRACT (ITA) Un’idea emerge, si sviluppa, guadagna consenso, muta, talvolta scompare per poi risorgere. Questo è anche stato il destino dell’idea di evoluzione, il cui lungo cammino viene ricostruito in questo saggio, dai Greci fino ai nostri giorni. A partire dal diciassettesimo secolo questa nozione assume sempre più rilevanza nello studio della natura. In ciascun pensatore l’idea di un’evoluzione delle specie viventi è stata accompagnata da una teoria volta a spiegare le cause e il meccanismo del mutamento. Questo saggio racconta (...) non soltanto la genesi e lo sviluppo dell’idea tout court che la natura in qualche modo si trasformi, ma anche la storia delle teorie che, assumendo come reale questa trasformazione, ne postulano una spiegazione. Particolare attenzione viene data ad alcuni aspetti spesso trascurati che hanno reso possibile il concetto di evoluzione del mondo vivente come la conosciamo adesso, di cui se ne mostra la rilevanza, già a partire dal pensiero greco. -/- ABSTRACT (ENG) An idea emerges, develops, gains consensus, evolves, sometimes disappears and then rises again. This was also the fate of the idea of evolution, whose long journey is reconstructed in this essay, from the Greeks to the present day. Since the seventeenth century, this idea has become more and more relevant in the study of nature. In each thinker the idea of an evolution of living species has been accompanied by a theory aimed at explaining the causes and the mechanism of change. This essay tells not only the genesis and development of the idea that nature somehow transforms itself, but also the history of the theories which, assuming this transformation as real, postulate an explanation. Particular emphasis is given to some often overlooked aspects that made possible the concept of evolution of the living world as we know it now, whose full relevance is shown, starting from Greek thought. Keywords: evolution, natural selection, Charles Darwin, history of ideas, history of science. (shrink)

Bacon’s philosophy had a wide dissemination in Dutch Seventeenth Century context. This can be explained by the coeval diffusion of Cartesianism. Bacon’s project of a reformation of science was deemed by Heereboord and De Raey as the manifesto of a new philosophy. Along with Geulincx, moreover, De Raey borrowed Bacon’s arguments on the causes of error and on the replacement of Aristotelian natural history, aimed at integrating Descartes’s physics. Also in logic Bacon’s influence was noticeable, as the development of a (...) new Organon had its accomplishment in the Cartesian logic of Clauberg and of De Raey himself. In theology, Heidanus relied on Bacon in order to confute Socinianism. The fortune of Dutch Baconianism had its end with the rise of Newtonianism: as a quantitative, experimental philosophy arose, Bacon’s works were no more regarded as a valuable source of arguments. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:American Journal of Philology 124.2 (2003) 317-320 [Access article in PDF] Julia T. Dyson. King of the Wood: The Sacrificial Victor in Virgil's Aeneid. Oklahoma Series in Classical Culture 27. Norman: University of Oklahoma Press, 2001. xii + 264 pp. Paper, $19.95. In this interesting study, Julia Dyson argues that the cult of Diana Nemorensis constitutes a crucial intertext for the interpretation of Aeneas' killing of Turnus at (...) the end of Virgil's Aeneidand the politico-religious order his action founds, namely, the Roman Empire. The project takes its bearings from the current renewal of scholarly interest in religion and sacrifice in Roman literature (e.g., Denis Feeney, Literature and Religion at Rome: Cultures, Contexts, and Beliefs [Cambridge, 1998] and Philip Hardie, The Epic Successors of Virgil[Cambridge, 1993]). In the first part of the book, "Sacrificial Victory," Dyson revisits the much-discussed scenes in which sacrifice, both literal (Laocoön's rites in Troy, Aeneas' in Thrace) and symbolic (the deaths of Laocoön, Palinurus, Misenus, etc.), are described. In the second part, "The Ghastly Priest," Dyson breaks new ground by focusing on specific details of the ritual in Diana's Arician grove and their evocation in the Aeneid, rather than appealing to an abstract concept of "sacrifice," to document a systematic pattern of allusion to the cult throughout the poem. The resulting work advances our understanding of Virgil's use of an important cult in Roman religion to give thematic coherence to his poem.Each part comprises six chapters. Part 1 examines the poem's various sacrifice-scenes, which have received considerable attention in the scholarly literature—e.g., C. Bandera, "Sacrificial Levels in Virgil's Aeneid" (Arethusa14, 1981, 217-39) and J. J. O'Hara, Death and the Optimistic Prophecy in Vergil's Aeneid(Princeton, 1990). Dyson is particularly concerned, however, to demonstrate that sacrifice fails consistently in the poem in order to develop the argument that Aeneas' death is demanded as the final sacrifice in the sequence. In her first chapter, "The Piaculaof Aeneas," she shows that Aeneas repeatedly fails to conduct sacrificial rites correctly, a failure that necessarily entails the gods' unceasing demand for further sacrifices. Chapter 2, "Tiber and Numicus," explores Virgil's allusions to the sacrificial fate of Aeneas—implied in the two divergent traditions of his end (either drowned or translated to heaven and deified while offering sacrifice on the banks of the river Numicus)—through the association, on the one hand, of Tiber with Numicus and, on the other, of Aeneas with Palinurus and other "sacrificial" victims.In chapter 3, "The Unburied Dead," Dyson develops her thesis further by demonstrating that such sacrificial deaths—often at sea and involving lack of burial—proliferate in the poem (Palinurus, Orontes, Leucaspis, Misenus, Caieta, Priam, Tarquitus) and thereby, she argues, prefigure the ultimate fate of Aeneas. Chapter 4, "Victor and Victim," examines instances of role-reversal in which sacrificer is transformed into sacrificial victim, not only in overtly religious contexts (as, e.g., Laocoön) but also, indeed primarily, on the battlefield in combat scenes which Virgil frequently invests with sacrificial detail. The diverse themes of rivers, sacrifice, and victory come together [End Page 317] in chapter 5, "Aeneas and Turnus," where Dyson analyses Aeneas' killing of Turnus (who is characterized, she argues, by association with the Tiber) in the final duel as a sacrifice that "both foreshadows and necessitates the sacrifice of Aeneas" (112). The last chapter in Part 1, "Juno's Honores," argues that Jupiter's promise to his consort that the Romans will outdo other nations in honoring her (Aen. 12.838-40) must be interpreted against Juno's demand for proper honors (i.e., sacrifices) at the poem's outset (1.46-49), a demand that can only be satisfied by further sacrifices—including that of Aeneas himself.Part 1 contains much interesting and innovative discussion of sacrifice along with some inevitable rehearsal of well-trodden ground, but it certainly establishes Dyson's thesis that Virgil alludes throughout the Aeneidto Aeneas' sacrificial... (shrink)